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Both are geniuses in their own genre, but that's a whole different review.This is a remarkable CD revealing Santana's spiritual and jazz-fusion side, but nevertheless, one of their best. Sure it's a smite lighter than his first three releases, but with the same great guitar, check, same Latin percussion, check, same beautiful keyboards/organ, check. Neal Schon, who later played with Journey, contributes superbly. I believe it's one of his best off any release.
I have Santana's first three albums and was apprehensive about buying this CD, from what I heard, this is where Santana went soft and jazzy. You'll kick yourself for not buying it sooner. Page may be the King of Innovation, but Carlos is the King of Inspiration. I started to play the first track, heard crickets chirping, and thought, sure enough, this is going to be elevator and camel walking music.
If your into the Santana legacy and you skipped over this, your missing out guys, I'm telling you. And who cares about bonus tracks, 5 star CD's don't need no stinking badges or bonus tracks. Not. It's all here."Song of the Wind" is flawless and uplifting, Carlos' celestial playing put tears in my eyes.
You heaar this. People call it jazz i call good. This the best Santana album ever, The frist i heard it to today it is still great. If like good music and something that you will fall in love with.It's too bad not all his albums are like this one.
Released in 1972, CARAVANSERAI was Santana's fourth album and first overt stab at the then-ascendant jazz fusion market. Thus the start of the revolving-door personnel changes which remain one of Carlos' trademarks to this day. If so, it's rather ironic that his newfound mysticism led Carlos to craft what anyone might have expected of him at the time: a percussion-driven package which slicked up the trademark Santana sound while dispensing with its more radio-friendly elements and any sort of clear song cycle. While all of the members of the classic Santana lineup appear on this album, they are never all together and only Carlos and drummer Mike Shrieve are on hand throughout.
If you're into the early efforts of Chick Corea and John McLaughlin, it could almost qualify as a must. To some extent this is reflected in the music, which is admirably played and suitably spacey but lacks the strong stamp of collective personality so evident on CARAVANSERAI's three predecessors - not to mention anything which might qualify as a likely single. A solid piece of work, certainly, but one understandably left out of most compilations and little known among the uninitiate. If you consider "Black Magic Woman" to be the apex of this band's career, it's surprising that you're even reading this, but you can rest assured you'll have little interest in the collection in question. If the jammier selections on the first few Santana LPs are your thing, CARAVANSERAI makes sense as a follow-up purchase. It was also, according to the liner notes in this attractively packaged reissue, an attempt to convey in musical terms the spiritual awakening which leader/guitarist Carlos Santana had undergone through his involvement with guru Sri Chinmoy.
This is basically an instrumental suite in the jazz-lite vein so popular at the time, with more and tastier percussion and (thanks to Carlos) worse vocals than the average. To put it another way, for headphone people only. In the era of Return to Forever, Weather Report and the Mahavishnu Orchestra, CARAVANSERAI was hardly revolutionary, even if its provenance might have raised a few eyebrows. Of the numerous unfamiliar musicians present, some would remain in the band for years while others would never play with Santana again.
He moved away from the formula that made him famous; that made him the ambassador of Latin Rock; that made him >SANTANA On this one Santana is starting to (if he hasnt already) forget his roots.I am getting a Santana album to hear what he is known for, Latin Rock, not some subjective, artistic experiment.This is what we get here: birds chirping and Pink Floydish psychedelic sounds.By track 3 we are into funk, the 70's, jazz-fusion jamming. Track 10 sounds like a jam with Jethro Tull.This is the first of Santana's jazz-fusion albums.
Carlos plays his soul out on Song of the Wind and Future Primitive has masterful percussion with an eerie background. Caravanserai is my favourite Santana album. Shame albums don't come like this anymore. Also, the remastered edition has done a very good job making Caravanserai sound as it should. Released in 1972, it's Santana's fourth. The album broke new ground and it is a truthful journey into music and spirit.
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